{"id":6926,"date":"2023-08-24T19:33:19","date_gmt":"2023-08-24T19:33:19","guid":{"rendered":"https:\/\/dancealive.org\/?p=6926"},"modified":"2023-11-24T17:52:25","modified_gmt":"2023-11-24T17:52:25","slug":"stirling-kolb","status":"publish","type":"post","link":"https:\/\/dancealive.org\/2023\/08\/24\/stirling-kolb\/","title":{"rendered":"Kolb, Stirling"},"content":{"rendered":"\t\t
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Stirling Kolb<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Stirling Kolb<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Stirling Kolb began his training at Pofahl Studios at the age of 8 where he was trained in all styles of dance.\u00a0Stirling performed with Pofahl Studio\u2019s Next Generation in pas de deux roles in Les Sylphides, Blue Bird from Sleeping Beauty, and Coppelia. He also performed with Dance Alive National Ballet in their productions such as\u00a0Ladybug: Action Hero, A Midsummer Night\u2019s Dream, Firebird, Wonderment, and Carmina Burana. Stirling was privileged to perform the principal role of the Nutcracker Prince in The Nutcracker. Stirling has also danced with the Sarasota Ballet Margaret Barbieri Conservatory as a trainee where he performed a piece choreographed by Sarasota Ballet\u2019s Luis Gonzalez.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Stirling
Kolb<\/p>\n","protected":false},"author":6,"featured_media":7021,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[20,57],"tags":[],"_links":{"self":[{"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/posts\/6926"}],"collection":[{"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/comments?post=6926"}],"version-history":[{"count":22,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/posts\/6926\/revisions"}],"predecessor-version":[{"id":7024,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/posts\/6926\/revisions\/7024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/media\/7021"}],"wp:attachment":[{"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/media?parent=6926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/categories?post=6926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dancealive.org\/wp-json\/wp\/v2\/tags?post=6926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}